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the picture at right, we begin to introduce the members of the Latin American Workshop Dance Company.

Apart Rino, the center of the picture that is driving the company's choreographer and teacher, on the left you Simona Carignola. began to dance the dances Caribbean about four years ago, applying himself with great commitment and desire to grow and today, one of the dancers more sight on the dance floor of the premises in Turin ... also want because, in Officina Latina full of philosophy, not the dance will never see without a bright smile on her face, she because the dance music, the feel, but above all the lives in our hearts as a great feeling and believe me, this is the real secret to can do so that dance never become a habit or a way of playing, but only and always the expression of the soul. To the right (looking at the pictures) Rino instead, you can see Arlety Rodriguez Guevara for which perhaps should be written a book to tell his training in dance, her immense desire to dance and especially its innate professionalism. Cuban-born Arlety living in Italy for many years and seeing her dancing now so divinely, you could say that having regard to its mundane origins is all dictated by the fact that those South American dance because "... they have blood ... " (... Usually commonplace ...), while instead you in particular, is keen to stress that he studied dance as a child, facing major challenges in studying and especially dance academies in Cuba of great importance. Yeah, because perhaps few know that in Cuba there are among the most important schools of classical dance and other disciplines, among the largest in the world. But back to you, you can just say that besides being a teacher careful, precise and very good, it's a beautiful dancer in her movements that express in every gesture know how to interpret what the music is important for dancers who know how to do difference.

I leave you, inviting you over the next giorni a seguire i profili di Vanessa, Valentina, Stefania, Andrea, Fabio e Giovanni, in modo che ovunque incontrerete questi personaggi, saprete che fanno parte della compagnia di ballo più solare e divertente degli ultimi anni e magari, quando lo riterrete, potrete venire ad ammirali il mercoledì sera a Beinasco ( vedi locandina in alto ) nelle serate dove ballare con loro sarà un vero piacere... VE LO GARANTISCO !!!

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DANCE DANCE DANCE DANCE!

Che gioia ballare, che bello ritrovare i ballerini in giro per i locali e vedere tutti questi nuovi iscritti nelle scuole che iniziano a muovere i primi passi ...ballare è vita ed oggi ve lo vogliamo raccontare facendovi guardare questo spezzone di film tra i più belli girati parlando di ballo. Il regista di questo film è Arne Glimcher , tratto da un romanzo il cui stile è comunque più adatto a raccontare una storia di due cantanti che vivono una storia non semplice nella loro vita quotidiana, nel film cantano e ricantano, tentano e ritentano, intraprendente e trainante Cesar , combattuto e renitente Nestor , invariabilmente sostenuto dal fratello. Celia Cruz primadonna della musica afrocubana, nei panni di Evalina Montoya , Owner of Club Babalu ; Tito Puente , another star of the musical circles Latin American and other eccentric characters in outline, which provide the framework for a scenario of mambo, but also true passion for dance .

The film's title?? ... THE MAMBO KINGS , click on it and watch the video.

Hello everyone e. ..... always a good life and non-dancers!

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POETRY THAT THIS SONG ... THE

One of the other initiatives that this year will be part of the work of Latin American Workshop, will be to make available translations of some of the most beautiful texts of songs that dominate the Latin American world. Songs that at times, have also had great light in the music world as a whole. Let's start with what, in my opinion, is a true poetry ... ESCAPEMONOS duo sung by Jennifer Lopez & Marc Anthony , who with their interpretation have won a sea of \u200b\u200bpress, giving us all a really exciting piece. But notice the chatter, here is the text

We run away from here away from everything in the darkness where there is not much to see that your eyes let's hide from the multitude of absurdities day where all those things that disturb us no longer be in our lives, our lives so that we are only love and the universe is in an embrace Smudge Where these doubts and fears that we carry from the past to be alone in a day without love end no longer worry about what they can say where we sleep embraced and then surprise us when the dawn to know you're there and we just need to escape to us if we so love there, there is reason to expect where and when it's hide from the multitude of daily absurdity where all those things that disturb us no longer be in our lives in our lives so that we are only love and the universe is Where Smudge in the embrace of these doubts and fears that we carry from the past to love being alone in an endless day without worrying about what they can say where we sleep embraced

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SARATE WITH U.S.

After the success of the first night, that's Workshop Latin America and the local Malinteso adjacent to the school dance, starting from September 26 with the evening open to all every Wednesday evening from 22.30 onwards, a collaboration which will lead to Beinasco lots of fun to dance all ... but really all so careless in front of teachers Workshop of the Latin school and the new dance company that was founded this year with plans and ambitions of great artistic value. We will speak in the coming days and 8 components of all the dance company in detail, presenting RINO, ANDREA, Fabio, Joh, ARLETY , VALENTINA VANESSA SIMONA and that, working with a truly unique enthusiasm, there keep you company throughout the 2007 season - after 2008.Di the video of the event is open to misunderstanding and a very nice article about the world of dance and especially the fact c dance he must always and only a piacere.Un great greeting to you all e. .. wait a scuola per i corsi di Salsa, Bachata , Rueda e tanto altro ancora !!!

La domanda che in molti cominciano a farsi è se nella salsa sia così determinante il tempo di esecuzione o la scelta di un passo base rispetto ad un'altro. Viviamo in una epoca di grande confusione, ma soprattutto di una grande varietà di offerte e di proposte. Ognuno vende la sua verità promettendo, come si fa d'altra parte in pubblicità, miracoli garantiti. "Adotta il mio passo base e diventerai una vera star!!! Vedrai, non te ne pentirai!!!" La realtà, come possiamo sperimentare quotidianamente, è molto diversa dall'immaginazione e non sempre i risultati arrivano. All'inizio sembrava che il dilemma fosse tra il ballare a tempo o ballare in contrattempo. In realtà poi la situazione non era nemmeno così pacifica in quanto anche l'accettazione di questi due termini dava adito a molte polemiche, proprio perché nell'interpretazione del contrattempo c'erano diverse scuole di pensiero. In musica sappiamo che in ogni caso esiste un ritmo psicologico. Fin quando tu ti abituerai a ballare sulla melodia ti verrà naturale ballare su di essa. Al momento che tu sceglierai di ballare sulle percussioni ti verrà naturale ballare con le percussioni. In quel modo il tuo ballo ti sembrerà più sabroso ma solo perché cambierà la tua percezione. Bisognerebbe però ricordare che la tua percezione ritmica non è equal to that of others. Others do not you evaluate the fact that you dance at a time rather than on another (and indeed for many dancing on two is not a mark of value) but rather to consider how you dance, for as you move to what you do, for the passion that you put in, you know that the interpretation given to that particular song, maybe even for your sorriso.Scegliere then want a different form of interpretation that it is time, in clubs, On 2, Break on two (forward or backward). Power two and so on and so forth, I do not think the same way is a key to success guaranteed. It 's normal that if I go to school on a Eddie Torres or a Papito Jala Jala teacher ends up teaching as their technique, but are we sure that the technique is right for our target audience and that our students be able to obtain the same results as those of us who have this passion for their job? If our goal is to convey a passion to our students, making their fluid and spontaneous way of dancing, we're sure it's really useful to force them to dance on time or at a pace that they do not feel natural? Few incurable optimist says For example, for a beginner is completely irrelevant from a time (or on a basic particular) rather than on another. Who supports this theory probably has never been a teacher. Experience tells us that in fact it is more natural to enter the music on the strong beats (in fact the first time said he was "strong natural time") that the weak, as it is more easy and natural to go on the beat rather than the upbeat. Also, dare I say, that for a beginner, it is easier to make a break with your feet together with legs aperte.Poi that there are exceptions, phenomena, those who learn everything easily, but are in fact ... eccezioni.Il of rhythmic sense is not all so natural and we should not give it absolutely for granted. There are people who difficult to recognize even one! Still others have difficulty in making cost a time 's running a time acquired a good sense of rhythm (which will allow us to communicate better with others, since it is a couple dance and single) will stay and then click the dancer their time, their own pace or form of expression naturale.Tanti dancers have demonstrated that we can excel regardless of the execution time and the basic step used. Like many other dancers have shown that while passing from one technique to another there is no change in their way of dancing .. For many teachers the time factor is a priority, as it is important develop a good basic technique. Right! However, I am more convinced than ever that we must simultaneously seek the ideal way to develop imagination and creativity in the students, fostering the ability to be able to speak to the heart rather than reason (in an age where reason takes over more and more emotion).
the proponents of written rules, competitions coded or subscribe to the supremacy of one technique over another, I would simply ask: 1) It 'a better person to have fun or even mistaken for a person who does everything pretty well so almost robotic? 2) And 'better let go following the principles of the imagination or do everything perfectly so too schematic? 3) Of course, the ideal would be somewhere in between, but sometimes it is not technical or over-the search for doctors or wonder drugs to stifle our imagination?

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... A. .. PUT AN EVENING OF DANCE LESSON!

Here we are with a taste for the evenings show you a lesson by Latin Workshop Beinaschese B. In Photo Gallery you will find many moments stolen from the photographer at the event ... attention, commitment, desire to dance, but most of all fun by all. This is the spirit of dance and workshop teachers are well aware of Latin, because dancing is beautiful when it expresses joy and happiness .... EVER!