SARATE WITH U.S. 
After the success of the first night, that's Workshop Latin America and the local Malinteso
adjacent to the school dance, starting from September 26 with the evening open to all every Wednesday evening from 22.30 onwards, a collaboration which will lead to
Beinasco lots of fun to dance all ... but really all so careless in front of teachers Workshop of the Latin school and the new dance company that was founded
this year with plans and ambitions of great artistic value. We will speak in the coming days and 8 components of all the dance company in detail, presenting
RINO, ANDREA, Fabio, Joh,
ARLETY , VALENTINA VANESSA SIMONA and that, working with a truly unique
enthusiasm, there keep you company throughout the 2007 season - after 2008.Di
the video of the event is open to misunderstanding and a very nice article about the world of dance and especially
the fact
c
dance he must always and only a piacere.Un great greeting to you all e. .. wait a scuola per i corsi di Salsa,
Bachata ,
Rueda e tanto altro ancora !!!
La domanda che in molti cominciano a farsi è se nella salsa sia così determinante il tempo di esecuzione o la scelta di un passo base rispetto ad un'altro. Viviamo in una epoca di grande confusione, ma soprattutto di una grande varietà di offerte e di proposte. Ognuno vende la sua verità promettendo, come si fa d'altra parte in pubblicità, miracoli garantiti. "Adotta il mio passo base e diventerai una vera star!!! Vedrai, non te ne pentirai!!!" La realtà, come possiamo sperimentare quotidianamente, è molto diversa dall'immaginazione e non sempre i risultati arrivano. All'inizio sembrava che il dilemma fosse tra il ballare a tempo o ballare in contrattempo. In realtà poi la situazione non era nemmeno così pacifica in quanto anche l'accettazione di questi due termini dava adito a molte polemiche, proprio perché nell'interpretazione del contrattempo c'erano diverse scuole di pensiero. In musica sappiamo che in ogni caso esiste un ritmo psicologico. Fin quando tu ti abituerai a ballare sulla melodia ti verrà naturale ballare su di essa. Al momento che tu sceglierai di ballare sulle percussioni ti verrà naturale ballare con le percussioni. In quel modo il tuo ballo ti sembrerà più sabroso ma solo perché cambierà la tua percezione. Bisognerebbe però ricordare che la tua percezione ritmica non è equal to that of others. Others do not you evaluate the fact that you dance at a time rather than on another (and indeed for many dancing on two is not a mark of value) but rather to consider how you dance, for as you move to what you do, for the passion that you put in, you know that the interpretation given to that particular song, maybe even for your sorriso.Scegliere then want a different form of interpretation that it is time, in clubs, On 2, Break on two (forward or backward). Power two and so on and so forth, I do not think the same way is a key to success guaranteed. It 's normal that if I go to school on a Eddie Torres or a Papito Jala Jala teacher ends up teaching as their technique, but are we sure that the technique is right for our target audience and that our students be able to obtain the same results as those of us who have this passion for their job? If our goal is to convey a passion to our students, making their fluid and spontaneous way of dancing, we're sure it's really useful to force them to dance on time or at a pace that they do not feel natural? Few incurable optimist says For example, for a beginner is completely irrelevant from a time (or on a basic particular) rather than on another. Who supports this theory probably has never been a teacher. Experience tells us that in fact it is more natural to enter the music on the strong beats (in fact the first time said he was "strong natural time") that the weak, as it is more easy and natural to go on the beat rather than the upbeat. Also, dare I say, that for a beginner, it is easier to make a break with your feet together with legs aperte.Poi that there are exceptions, phenomena, those who learn everything easily, but are in fact ... eccezioni.Il of rhythmic sense is not all so natural and we should not give it absolutely for granted. There are people who difficult to recognize even one! Still others have difficulty in making cost a time 's running a time acquired a good sense of rhythm (which will allow us to communicate better with others, since it is a couple dance and single) will stay and then click the dancer their time, their own pace or form of expression naturale.Tanti dancers have demonstrated that we can excel regardless of the execution time and the basic step used. Like many other dancers have shown that while passing from one technique to another there is no change in their way of dancing .. For many teachers the time factor is a priority, as it is important develop a good basic technique. Right! However, I am more convinced than ever that we must simultaneously seek the ideal way to develop imagination and creativity in the students, fostering the ability to be able to speak to the heart rather than reason (in an age where reason takes over more and more emotion).
the proponents of written rules, competitions coded or subscribe to the supremacy of one technique over another, I would simply ask: 1) It 'a better person to have fun or even mistaken for a person who does everything pretty well so almost robotic? 2) And 'better let go following the principles of the imagination or do everything perfectly so too schematic? 3) Of course, the ideal would be somewhere in between, but sometimes it is not technical or over-the search for doctors or wonder drugs to stifle our imagination?
